Some people get really upset about an image that has been digitally altered in a magazine cover (mostly the cover model’s body gets thinner and longer) and thus it leads to serious concerns about its bad influences on the teenagers’ perspective on a healthy body. Manipulation of photograph has existed with or without aesthetic reasons since photograph invented in the first place. Back in the earlier part of the 2. People considered photography was too realistic and perfect for the critical art world at that time. In addition, I think, since objects through the camera lens are not exactly the same as what we see with our eyes, the manipulation of photograph might have already been done by the camera itself. A calculation of light and exposure of settings and every circumstance are all the factors of how photograph is taken. The person with the camera is of course the main actor for those changes. In this sense, the manipulation of photograph seems to be done by all other factors, performance and a camera itself. In the post modernist society, everything seems to be mixed, interacted, reproduced and recreated. As the leading artist of postmodern society, Andy Warhol’s works were all about the reproduction and manipulation of original works. In this regard, the truthfulness of photograph might apply for the certain purposes such as journalistic or medical purposes. However, in an artistic form, what does it mean by the truly perfect picture? Should a matter of artistic expression of photograph is accompanied by truth? What does really mean by pure photograph with aesthetic aura? John Tagg Distinguished. Martin's School of Art with John Stezaker, while. Burgin and producing the first of the studies that were later to be gathered together in The Burden of Representation —a work that. Photography, Representation, and History. John Tagg, The Burden of Representation. Click to see the FREE shipping offers and dollar off coupons we found with our CheapestTextbooks.com price comparison for Burden Of Representation Essays on Photographies and. John Tagg Publisher: Univ Of Minnesota Press. It must be remembered that a photograph is not a memory but it is a story by a photographer as a writer. Therefore, a memory can be represented by a photographer through not with a camera as a clear window to look at the world, but the camera as a representational tool to look at the world. In this sense, photograph may be the representation of a story and an image that a photographer want to tell and see. References Batchen, Geoffrey (1. Tagg, John (1. 98. View John Tagg's business profile and see work history. Burdening Representations is a title indebted to photography historian John Tagg's book, The Burden of Representation.
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